Russian Masters Online Spring Intensive

Tatiana graduated from the Vaganova Academy in 1989. Since then her professional ballet career started in the State Opera and Ballet Theatre of Conservatory of St. Petersburg Rimsky-Korsakov.

Since 1990 Tatiana Cherkashina has been the soloist of this theatre. Her work as a ballet dancer and her labor in the cultural scope of the country has been recognized several times by most prestigious national awards from the Ministry of Culture of Russian Federation.
In 2008 she got the official grade of Teacher of Classical Ballet in the Vaganova Academy and has been teaching classical dance for over 10 years.

Tatiana Cherkashina has offered already various master classes of classical ballet in Norway, Israel and Japan.

Her major jobs:
• Soloist – “Classical Syphony” S. Prokofiev
• “Grand pa Classic” F. Ober/ V. Gazovsky
• Ballet dancer – “Petrushka” I. Stravinsky/M- Fokin
• Princess Aurora, princess Florina – “The Sleeping Beaty” P. Chaikovsky / M. Petipa (under reducción of Dolgushin)
• "Opus №45" А. Berg\ G.Contreras
• Ballet dancer – «Dreams» P. Chaikovsky/N. Dolgushin
• Odetta-Odilia – “The Swan Lake” P. Chaikovsky/ L. Ivanov, М. Petipa (under reducción of N. Dolgushin)
• Gisele – “Gisele” А. Аdan / Corrali, G. Perro, М. Petipa
• Fairy Drazhe – “The Nutcracker” P. Chaikovsky/V.Vaionen, L.Ivanov, N. Dolgushin
• "Grand Pa" soloist – "Pajita" L. Minkus / M. Petipa
• Julietta– "Epitafia" Т. Albinoni/N. Dolgushin
• Kitri – "Don Quijote" L. Minkus/A. Gorsky (under reducción of N. Dolgushin)
• Pimpinella – "Pulchinello" I. Stravinsky/K. Chubashev
• "Choreographic Miniatures” L. Yakobson

More information on <a target="_blank" href="http://vaganovaacademy.ru/academy/structure/kafedri/classica/tcherkashina.html"><b><u>Vaganova Academy website</u></b></a>.<br>

Due to her spectacular curriculum and teaching experience Polina is the best representative of professional ballet environment to transmit Character Dance.

Polina is also a tutor and lecturer in Vaganova Academy in Saint Petersburg, as well as character dance soloist of the Mariinsky Theatre, considered one of the leading ballet theaters.

Her work in our intensiveы marked a turning point in our students. This discipline is vital and crucial for a ballet artist. It has its origin and development in Russia but in Europe unfortunately there are not many well formed specialists. Dance character usually marks a fundamental difference between one dancer and another, and can even decide their fate.

During the Russian Masters courses Polina teaches Character Dance to all professional groups.

Some notes about her professional activity:
Polina was born in St. Petersburg. In 1994 she graduated from the Vaganova Academy in the class of NATALIA DUDINSKAYA y ALISA STROGOYA, prominent legends in the history of ballet.

More information on Vaganova Academy website.

Alexander Omar graduated from the Vaganova Ballet Academy in 2004 and the same year he joined the Mikhailovsky Ballet Company.

His repertoire included the roles of Tybalt (Romeo and Juliet, chor. by Nikolay Boyarchikov; chor. by Oleg Vinogradov), Spartacus, Crix and centurions (Spartacus, chor. by George Kovtun), Moor’s Friend (The Moor’s Pavane, chor. by Jose Limon), Gringoire (Esmeralda), solo in the Indian dance (La Bayadère), the role of Fairy Carabosse (The Sleeping Beauty, rev. by Nikolay Boyarchikov), Mr Drosselmeyer, Abdurrahman and solo role in panaderos (Raymonda), Rose waltz and Spanish dance (The Nutcracker, chor. by Nikolay Boyarchikov), Ali and Isaac Lanquedem (Le Corsaire, rev. by Farukh Ruzimatov).

Dancer and teacher with extensive experience.

Olga graduated Perm Professional Ballet School, Russia in 1993.

After that she immediately joined The Opera and Ballet Theatre of Perm as a dancer, ascending to the category of soloist. With the company Pavlova danced the great ballets of the classical repertoire.

To pursue her teaching career, graduated Bolshoi Theatre Academy as a Classical Dance teacher.

Finally, she moved to Spain to focus fully on her pedagogical role, teaching at the Artis Reus School and all RMB programs.

“A tall, and with noble elongated lines, she perfectly embodies the modern type of the Petersburg ballerina - elegant and aristocratic.” - Ballet Magazine.

Sofia Gumerova graduated from the Russian Ballet Academy in 1995. And from the same year, she entered the troupe and to 2016 she has been the first soloist of the Mariinsky Theater.

In 2010 Sofia received the title of honored Artist of Russia.

Sofia’s repertoire includes more than 30 roles, including the beloved Giselle (Giselle, Manna, Mirta), Swan Lake (Odette - Odile, large swans), La Bayadere (Nikia, Grand pas, trio of shadows), Corsair (Medora, a trio of odalisks), La Sylphide (La Sylphide), the Sleeping Beauty (Princess Aurora, Candide Fairy, Princess Florine), Raymonda (Raymonda, Clemance, Grand pas), Don Quixote (Kitri, Street Dancer, Queen of the Dryads), Michel Fokine’s ballets The Dying Swan, Chopiniana, and many many others!

Repertoire also includes:
Ondine (Queen of the Sea); choreography by Pierre Lacotte,
Reverence; choreography by David Dawson,
the duet from the ballet The Ghostly Ball; choreography by Dmitry Bryantsev,
Goya-Divertissement (Duchess of Alba); choreography by José Antonio,
Like an Old Organ Grinder; choreography by Alexei Miroshnichenko,
Pas de quatre (Carlotta Grisi, Lucile Grahn); choreography by Anton Dolin
and Euphoria; choreography by Nikita Dmitrievsky.

Sofia Gumerova works as a pedagogue at the Vaganova Academy and a teacher at the Conservatory of Rimsky Korsakov at the department of directing ballet. In addition, she gives master classes all over the world.

In 1986 he graduated from the Saratov Choreographic Conservatory in the class of GENNADY ALBERT, who was a direct disciple with Rudolf Nureyev, Mikhail Baryshnikov and Alla Osipenko of mythical Alexander Pushkin, considered a legend among teachers of classical ballet..

During his soloist career he worked at the Theatre of Boris Eifman, Gorki Theatre, Theatre K.Tachkin and others. He participated in productions of famous Mariinsky Theatre choreographers, among others worked with Ignatev and Ganibalova.

Graduated with honors from the Vaganova Academy as a teacher in the class of LUDMILA SAFRONOVA, who confirmed that it is one of the great hopes and best Vaganova methodists.

She has the historical privilege to be the daughter and disciple of the great Tatiana Sevastianova. Graduated with honors at the Vaganova Academy, as an artist and teacher in ballet class of Udalenkova.

After her soloist career in various ballet companies, she became supervisor and teacher of great Russian ballet companies, including the prestigious Ballet L. Yakobson.

She was a guest soloist in the ballet company of the Leningrad Conservatory named after Rimskiy-Korsakov.

In 1993 she was invited to the ballet company of Prague as soloist.
From 1995-1998 she was a soloist of the State Theatre in Brno.
Since 1998, soloist in the company .L.Yakobson.
She participated in tours around Russia and the world.

Winner of “The Best Teacher of Complementary Education" award by the city hall of St. Petersburg (2012)
Winner of the Educational Achievements Competition (2012)

Svetlana Efimova was born in Leningrad in 1966. She graduated from the Vaganova Academy (Professor A. I. Trofimova, 1984).
During 1990 - 1992 she was a soloist of the theatre "Russky Ballet" in St. Petersburg. Then for a year she developed her career as a ballet dancer at the Symphony State Capella of St. Petersburg under the leadership of Georgy Aleksidze. Until 1998 Svetlana danced in the Maliy Ballet of the Mariinsky Theatre and then until 2008 she worked at the Ballet Theatre of Konstantin Tachkin in St. Petersburg.

The repertoire of Svetlana includes among others: ballet "Paquita" (Grand Pas, variation), "Les Sylphides" (Eleventh Waltz), "Fairy Doll" (Pas de trois), "Giselle" (Vilisa, friends), "The Nutcracker" (Waltz of the snowflakes, pink Waltz), "Swan lake" (Pas de trois, the Hungarian dance, little swans), "La Vivandière" (Pas de six). As a performer she worked with choreographers: Oleg Vinogradov, Giorgy Aleksidse, Dmitry Bryantsev.

She graduated from the Faculty of Education of the Vaganova Ballet Academy (2010). Since 2008 Svetlana has been a teacher and tutor of the School of Classical Ballet where she has acquired an extensive pedagogical practice as well as vast experience in teaching methods.

One of the most outstanding European artists and choreographers, Denis Untila, will give classes of Contemporary Dance to the students of RMBC 2018. A unique opportunity to learn from the best.

Denis Untila began his dance career in his homeland, Moldova, and completed his training by graduating from the Vienna Conservatory. He joined the Ballet Kiel in 2001 under the direction of Mario Schröder as a soloist. He performed as a guest dancer in Schröder’s choreography “The Wall” in Essen in 2004. Further guest appearances have taken him to the Moldovan National Opera, and to Salzau, France and Italy (“Europe Dance”), then to the ballet company of the Vienna State Opera, where he performed in “The Nutcracker” and as Oscar in Vladimir Malakhov’s ballet “A Masked Ball”.

Since the autumn of 2006 Denis has been a member of the Aalto Ballet Essen, firstly as a group dancer with solo obligations and then from 2009 as a soloist with group commitments. On the Aalto stage he has danced solo roles as Dmitri (“The Brothers Karamazov“), Valerio (“Leonce and Lena”), Blue Bird (“Sleeping Beauty”), Bécaud (“La vie en rose”), Lillas Pastia (“Carmen/Boléro”), Moritz (“Max and Moritz), as well as further soloist roles in “Homage to Queen” and “Irish Soul”. He has also choreographed “The Soldier’s Tale” (Family Concert), “Game” (“PTAH”) and together with Michelle Yamamoto, “Alice” (“PTAH II”), "Jo“ and "Passacaglia“ ("PTAH III“). In the 2012/2013 season he choreographed his first full-length ballet “Othello” for the Aalto Theatre. Denis Untila is the winner of the Aalto Stage Prize for young artists 2012. After successfully creating „Vibrations“ for Essener Philharmonie, he presents a new choreography in 2018: „Moving Colours“, together with Armen Hakobyan.

Russian Masters organisation is glad to introduce the teacher of historical and character dances: Aleksandra Lebedeva. She will be working with us in the next courses and she has been recommended specifically by the Vaganova Academy.

Graduated from the Vaganova Academy of Dance, she has worked since 1997 in the Mariinsky Theatre as a dancer. Since 2018 she is also a student of the pedagogical faculty of the Vaganova Academy. She also conducts rehearsals of the students from the Academy sometimes.

She has a lot of experience working the historical repertoire on the Mariinsky Theatre stage. She performed as a soloist in “The Fountain of Bakhchisarai'' (Krakowiak), "The Swan Lake'' (mazurka) “Don Quixote'' (Gipsy), “The Nutcracker'' (Lady) and "Polovtsian dances'' and she has also danced every kind of historical dances such as quadrilles, minuets, sarabandes, polonaises and other kind of dances highly used in classical repertoire.

During the course of historical dance, students will study and get familiar with the following dances from Mariinsky Theatre: the Minuet from “Rigoletto”, the Quadrille from “The Queen of swords” and the Polonaise from “Eugene Onegin”, among other pieces and apart from the theoretical material following the methodology of the Vaganova Academy.

Maria Khoreva is one of the greatest promises of the ballet world in many years. Graduated in 2018 at the Vaganova Academy with the class of the famous professor Lyudmila Kovaleva, Khoreva joined the Mariinsky Ballet Theatre that same year.

In October 2018, she danced the lead role in Paquita, something extremely unusual for such a recent graduate, and at the end of the month she was promoted from Dance Corps to First Soloist, a rank just one step below the main dancer.


More information is on the website of the Mariinsky theatre.

In 2011 Ivan Zaytsev joined the ballet company of one of the best theatres of the world - Mikhailovsk, where very soon he became a Principal dancer, his repertoire includes solo and principal roles in La Sylphide, Le Corsaire, Cipollino, Don Quixote, Laurencia, The Flames of Paris, La Fille mal gardée, and Class Concert
as well as productions of Nacho Duato The Sleeping Beauty, Romeo and Juliet, The Nutcracker, Multiplicity, Forms of Silence and Emptiness, Prelude, Invisible, and White Darkness. Ivan has toured with the Mikhailovsky Ballet Company to Japan, USA, Germany etc.

He start his career from Krasnodar Ballet School in 1997 and while studying he was training at the Yury Grigorovich Ballet Theatre where he performed roles in the ballets Spartacus, Romeo and Juliet, Raymonda, The Golden Age, The Nutcracker, and Cipollino.
In 2002 Ivan graduated from Krasnodar Ballet School and entered the Department of Choreography at St. Petersburg State University for Culture and Arts.
After graduation from the University in 2007, he joined Leonid Jacobson Ballet Theatre in St. Petersburg, where he danced Romeo (Romeo and Juliet), Jose (Passion for Carmen), Siegfried (Swan Lake), Prince (The Nutcracker), Albrecht (Giselle), and Rodin (The Kiss).

After participation in the 11th Moscow International Ballet Competition in 2009, he was invited to join Boris Eifman Ballet Theatre. Ivan´s parties in Eifman Ballet were:

• Basil in Don Quixote, 
• Onegin in Onegin, 
• Vronsky in Anna Karenina, 
• Ekaterina´s son in Russian Hamlet, 
• The Prince,
  
• The Young man & The Joker in Chaikovsky.
  

More information on the website of the Mikhailovsky theatre.

Anna was born in Siberia. She started to dance at 5 years old and graduated from the Krasnoyarsk Ballet School in Siberia.

Anna started her career with the Siberian State ballet (Krasnoyarsk, Russia) as a soloist. Later she became a guest-principal dancer with Mikhailovsky theatre (Saint-Petersburg) and Tatarstan state ballet (Kazan). Since 2012 Anna joined Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre ballet company as a principal dancer. During this period of dancing with Russian ballet companies her repertoire was very diverse.

At 2015 she joined Dutch National Ballet as a principal dancer. Since that moment Anna became an international guest-principal dancer .She worked with Teatro Colon (Argentina) for “La Bayadere” by Natalia Makarova,  with Semperoper Dresden ballet for “Manon” by K.McMillan. Currently Anna is working with Staatsballet Berlin as a guest.

Anna’s repertoire is very diverse. During her carrier she dances principal roles in almost all well known classical ballets as “Nutcracker” , “Sleeping beauty”, “La Bayadere”, ”Gizelle”, “Copelia”, “La fille mal gardee”, “La Sylphide” , “Snow Maiden”, “Don Quihote”, ”Romeo and Juliette”, “Swan lake” and others. Her repertoire also includes main roles in lots of neoclassical ballets by such a famous choreographers as K.McMillan, J.Robbins, J.Kranko, G.Balanchine, A.Ratmansky, C.Wheeldon , Hans van Manen ,D.Dawson,Y.Grigorovich, Rudi van Danzig ,Ted Brandsen and others. In a different time her partners on stage were Sergei Polunin, Ivan Vasiliev, Leonid Sarafanov and others.

In a studio legendary Natalia Makarova, Guillaume Graffine, Alexey Ratmansky, Michael Messerer , Patricia Neary, Patricia Ruann , Karl Burnett, Olga Evreinoff, Yukari Saito,Yannick Boquen ,Larissa Lezhnina, Rachel Beaujean and many others helped her to improve her skills of dance. At 2008 and 2010 she won gold medals on International ballets competitions in Krasnoyarsk and Perm. She is a winner of «Dance Open 2018- miss virtuosity» prize in Sankt Petersburg.

Currently Anna is working successfully with Dutch National ballet as a principal dancer and participates lots of  Ballet Galas around the world.